Edmund walks you to the library door with his torch shaded under his coat, and tells you on the way that the girl's code name was Linnet, that she was dropped into France a month ago, and that the people in the cellar have stopped looking at each other.
Hour Two: Linnet's log

The library is a classroom now: plain desks in rows, a Morse key and a pair of headphones on each, and a blackboard with columns of chalked letters. The bookshelves are still there, behind the desks, and Agatha Christie is reading in an armchair by the dead fire, because Mrs Reeve's guests have to sit somewhere.

Linnet's file is on the instructor's desk. Every agent leaves the school with two security checks, small deliberate mistakes in every message, so that London will know the sender is free. The bluff check is the one an agent may give up if she is caught. The true check is the one she must never give up:
LINNET C. ASHBY BLUFF CHECK spell WELL as WEL TRUE CHECK 8th letter of every message, one letter on (A as B), not counting spaces
And the log of everything that has come over her set since she landed, as received:
21 SEP ARRIVED TAFELY ALL WEL 28 SEP CIRCUIT GORMING WEL 4 OCT RECEIVEE STORES WEL 11 OCT MOVED HOUSES NO TROUBLE WEL 18 OCT FIELD TWELVE READY FOR TWO WEL 25 OCT CONFIRM TWO ON THIRTYFIRST WEL
Mrs Christie, who has been watching you over her book, says that in her experience the thing that gives a person away is very often the thing they have stopped doing. Conan Doyle, she says, solved a whole case with a dog that did nothing in the night-time. Poirot would put the messages in order and look for the first one that is too correct; she has always found him tiresome, and usually right.
Tap the night Linnet was taken.
Linnet's log. Tap the first night her true check is missing.
To the cellar, where the set is.
Mrs Christie, in the armchair by the dead fire, says without looking up from her book that it is always worth counting.